Selecting and placing microphones in installed systems
Capture enough direct sound first, then address loudspeaker feedback, room reverberation, and background noise.

Contents
What this article covers
5 chapters · About 7 minutes
System
Set audience-area goals before choosing equipment
An installed reinforcement system must deliver intelligible speech to every seat, keep the sound natural and the noise floor acceptable, and avoid operating at the feedback threshold. The problem is rarely one device. Talker-to-microphone distance, room reflections, gain structure, loudspeaker coverage, and operating practice all interact.[1][6] Define intelligibility, coverage, and level targets before laying out microphones and loudspeakers.
Acoustics
There is no universal pass value for RT60 or background noise
RT60 is the time required for sound energy to decay by 60 dB. As it increases, reverberation from one syllable is more likely to mask the next. DPA treats roughly 2 s as an experience-based boundary beyond which speech reinforcement becomes difficult, but 0.6–1.2 s is not a universal target for every project.[1] Classrooms, meeting rooms, courtrooms, and performance spaces differ in volume and purpose, so their reverberation and background-noise criteria also differ.[7] If the room uses 30–50 kHz ultrasonic sensors, check whether they trigger microphones, automatic gain control, or other nonlinear stages.[1]
Selection
Sensitivity is not pickup distance
Sensitivity states how much voltage a microphone produces at a given sound pressure; it does not mean the microphone can “reach farther.” Distant pickup also depends on self-noise, maximum SPL, directivity, critical distance, and gain before feedback.[1] Do not confuse distance factor (DSF) with directivity index (DI): an ideal cardioid has a DSF of about 1.73 and a DI of about 4.8 dB, while a supercardioid is about 1.93 and 5.7 dB.[2] With a lavalier on the chest, level and the 2–4 kHz region also change with position and body shadowing, so listen on site.[1]
Placement
Shorten the working distance before relying on algorithms
Keep the microphone as close to the talker and as far from loudspeakers as practical. Aim the least-sensitive direction of a directional microphone toward the main feedback path. When a ceiling loudspeaker sits near the microphone, its zone can be reduced or disabled, but first confirm that this does not leave a coverage gap in the audience area. When several microphones capture the same source, begin with the 3:1 rule: space adjacent microphones at least three times the distance from each microphone to its intended source, then listen and measure for comb filtering.[3][4] Treat structural vibration from desks, floors, and ceilings with resilient isolators rated for the actual load.
Calibration
More open microphones leave less potential feedback margin
During commissioning, check channel polarity before setting input gain and feedback safety margin. Polarity errors can cause cancellation when correlated signals are summed; every doubling of open-microphone count typically reduces potential gain before feedback by about 3 dB.[5][6] Automatic mixers can attenuate idle channels through gating, priority, or gain sharing, but different algorithms do not share a universal “0 to −3 dB” guarantee. Finally, under normal occupied and background-noise conditions, measure sound pressure and STI at multiple seats. Follow IEC 60268-16 for STI measurement instead of substituting a single recording or hand clap.[8]
References
Sources
Standards, technical documents, and official manufacturer pages checked for this revision.
- 110 Points on Microphones in Installed Systems
DPA Microphones · Accessed 2026-08-09
- 2How to Specify the Directivity of a Shotgun Mic
DPA Microphones · Accessed 2026-08-09
- 3What Is Close Miking? Why Use It?
DPA Microphones · Accessed 2026-08-09
- 4Audio Systems Guide for Theater Performances
Shure · Accessed 2026-08-09
- 5Tips for Avoiding Feedback in Meeting Room Audio Systems
Shure · Accessed 2026-08-09
- 6Sound System Design Reference Manual
Shure · Accessed 2026-08-09
- 7ANSI/ASA S12.60 Part 1: Acoustical Performance Criteria for Schools
American National Standards Institute · Accessed 2026-08-09
- 8IEC 60268-16:2020: Objective rating of speech intelligibility by speech transmission index
International Electrotechnical Commission · Accessed 2026-08-09
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